Contemplating exactly how extraordinarily stale, absolute vile, and unreasonably silly both The Phantom Menace and Attack of the Clones were in all potential habits, the 6th portion in the Star Wars adventure and the last entry of the prequel set of three is a tremendous jump that shows huge upgrades in different filmmaking viewpoints and is energetically the main prequel entry that is to many degrees agreeable, engaging and fulfilling. 

 

Set three years after the events of Attack of the Clones, the story of Revenge of the Sith discovers Jedi Knights driving the clone armed force in the battle against the Separatists and accounts for Anakin Skywalker’s inevitable tumble to the dark side of the Force. The plot follows Anakin whose confidence in the Jedi is imprinted after he is denied the position of Jedi Master by the Council and eventually respects the dark side when the Sith Lord uncovers himself. 

 

From Director George Lucas, it took him two horrible entries to at long last dispose of all the corrosion that had set in throughout the long term. He finally conveys something with Revenge of the Sith, which is the best built, finely Edited, and reasonably described story of the three. Giving a few indications of life towards the direction, Lucas transforms his last part into an action-pressed finale that devotees of this establishment had consistently wanted and its overwhelming action is, in spite of not many weaknesses, is genuinely captivating. 

 

Acting-wise, the repeating cast return to their particular characters for one final time yet like it was the situation in before sections, the acting remaining parts feeble but is still a small upgrade. Though, Hayden Christensen sucks as Anakin Skywalker and nearly ruins the entire show, which is a disgrace knowing that there was some weight added to his character this time. Ewan McGregor, in any case, does well with what he’s given. 

 

Being the last entry in Lucas’ Star Wars adventure, there is a desire to move quickly in its pacing which permits the story to be firmly sewn. However, not all the slip-ups of its predecessor’s are adjusted, for there were still some off-base turns taken and terrible choices made. However unexpectedly, feelings do become an integral factor in the story. Furthermore, it was acceptable to see Lucas finally putting more accentuation on the story and permitting the then-awesome visuals to take it to the following level, something he should’ve done from the start. 

 

The set pieces look less fake than previously. Most CGI creatures are as yet ludicrous to take a gander at. The technical perspectives don’t appear to be dissipated everywhere this time for there is really an endeavor to make everything cooperate to push its story ahead and to a degree, it even succeeds. Its 140 minutes of runtime is as yet a bit excessively long, however, there’s a ton of intriguing minutes to keep the watchers around, for example, the execution of Order 66 or the last climactic duel or the finishing of Anakin Skywalker’s story arc. John Williams additionally contributes with what’s apparently the best soundtrack of the prequel set of three which stays in a state of harmony with the unfurling functions. 

 

Overall, Revenge of the Sith is a startling amazement that ends up being obviously superior to foreseen. It is effectively the best entry in the prequel Star Wars set, and in bits and pieces can reclaim what small amount was left redeemable by the epic calamities that were the initial two entries. In all honesty, this would’ve been a genuinely decent set if George Lucas wasn’t so excessively busy with the extravagant creatures and computerized graphics. And when he understood that, it was at that point past the point of no return and the harm was already done.